EXHIBITION
展覽
2020
PRÉCÉDÉE OPEN CALL FOR ARTISTS: SELECTED ARTISTS SHOW
TSE HIU LAM 's Solo Exhibition – SIGH 「 嘥氣 」
About the exhibition:
People feel angry and emotional when they face social issues yet there is no one to listen or respond to their complaints. As time goes on, they may helplessly choose to avoid the existence of social problems and begin to ignore or even accept the reality and erase problems. In the past dreams, we became clones and lived just to make money and buy a house.
Whether this is a social problem or people's laziness on the problem, or let us don’t say it, it is meaningless to say.
關於展覽：
人接觸愈多的社會問題和事物，即使感到憤怒和感慨，這些苦訴卻沒有人聆聽或留意，令他們可能無奈地寧願避開它的存在，也開始變得盲目甚至接受現實，抹掉了過去的夢想，如複製人只為了樓而生活。
到底這個是社會的問題還是人對問題的懶散，還是我們不要討論，再說也沒有意思。
Date: 23/12/2020 — 1/1/2021
Venue: PRÉCÉDÉE artspace
Address: 304 Shanghai Street, Yau Ma Tei, Hong Kong
Time: 24 hours
展期：23/12/2020 — 1/1/2021
地點：PRÉCÉDÉE藝術空間
地址：九龍油麻地上海街304號
時間：全日24小時
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ABOUT ART WORKS INFORMATION
“ Untitled Dream ”
2020
Use PowerPoint to create animation and sound mix
3 minute 3 seconds
Faced with today's social problems, the government's approach to policy disregards the voices of Hong Kong citizens. The appeal of Hong Kong citizens is like street sleepers. This problem is clearly in front of them, but people choose not to avoid this problem or even discriminate. Street sleepers can only helplessly desire accept yourself ...
“ Wage Slave - Welcome “
2020
Video
1 minute 10 seconds
What do people do in a hypocritical society?
Keep doing repetitive actions. Smiling is a sign of politeness, and responding to the other person is the right answer. No one knows who stipulated these rules, it's just that the society has decided invisibly...
虛偽的社會，人們到底為了什麼？ 一直做重複的動作，微笑是禮貌的象徵，回應對方是應該。沒有人知道這些是誰規定，只是這個社會無形間決定下來⋯
(This video is part of the installation 該視頻是安裝的一部分 )
“ Doomsday ”
2020
Photo and sound
1 minute 29 seconds
During the COVID-19 period, the whole of society seems to have stopped. People have been avoiding their existence and staying at home. The daily repetitive actions and the behaviours from getting up to going to bed make people feel complicated. There are few opportunities to rest at home, but we feel uneasy. We can’t know what’s outside. People can only access the outside world and can only watch through the window. We don’t know how many people are suffering outside due to the impact of the epidemic. Watching the news report points out how many patients there are every day, and we imagine that every day can be free to breathe outside. Seeing that the food and resources at home are dwindling, it reminds me of the documentary "The Imperial Japanese occupation of Hong Kong." I don't know when to go out and solve it. Looking at the sky, you want to be as free as it is. Affected by COVID-19, some people are unemployed and some separating from their families, which is a kind of "Doomsday" existence for us. I collect different sounds at home and choose the changes in the sky at different times to take photos as stop motion animations. Through the cooperation of sound and video, we hope to show the daily situation of citizens during the COVID-19 period. For example, in the anti-Japanese period, the Japanese flew outside and dropped missiles. Every day, they hear the sound of the air-raid shelter, and the citizens feel fear. Even if there is no noise outside, the citizens are still very nervous and hope to return to a quiet day.
在COVID-19期間，整個社會似乎都停止了。人們一直在躲避他們的存在，呆在家裡。每天重複的動作以及從起床到上床的行為使人感到復雜。很少有機會在家休息，但我們感到不安。 我們不知道外面是什麼。人們只能訪問外界，並且只能透過窗戶觀看。我們不知道流行病的影響使外面有多少人受苦。觀看新聞報導會指出每天有多少患者，我們可以想像每天可以自由呼吸。 看到家裡的食物和資源在減少，這讓我想起了紀錄片《日本帝國占領香港》。我不知道什麼時候該去解決。仰望天空，您想要自由自在。受COVID-19的影響，有些人失業，有些人與家人分離，這對我們來說是一種“末日”的存在。 我在家收集不同的聲音，並選擇天空在不同時間的變化以拍照作為定格動畫。通過音頻和視頻的合作，我們希望展示COVID-19期間公民的日常狀況。例如，在抗日時期，日軍飛到國外並投下了導彈。每天，他們聽到防空洞的聲音，市民感到恐懼。即使外面沒有噪音，市民仍然非常緊張，希望回到安靜的一天。
